Fate evasion in isekai manifests as either social integration or total systemic transcendence. Comparing a YPS-1 narrative-type character to a YPS-7 physical-type character renders traditional combat metrics useless, as the scale gap is categorical rather than incremental. Instead, the real comparison lies in how they leverage Growth to escape their initial constraints. Catarina Claes transforms her doom flags into a network of centripetal bonds, effectively hacking the game's social script by becoming a relational anchor for every major cast member. Her victory is communal; she survives because her social utility outweighs her lack of combat power. Conversely, Han Li treats the universe as a resource management puzzle. His ascent to a world-ending tier is a solitary exercise in ego and technical precision, where bonds are tactical assets rather than emotional anchors. While Catarina optimizes for love to avoid death, Han Li optimizes for efficiency to achieve immortality. This reveals a fundamental split in the genre's approach to agency: one path finds freedom through the eyes of others, while the other finds it by erasing the possibility of being controlled by anyone. Both hit a Growth score of 100, but Catarina’s trajectory expands her world, whereas Han Li’s trajectory eventually replaces it.