The true metric of success in isekai isn't the ability to destroy, but the capacity to reorganize the social fabric around oneself. A direct comparison between a YPS-1 human and a YPS-7 world-ender is functionally useless; one manages social cues while the other rewrites physical laws. However, their DNA profiles reveal a shared reliance on the erasure of the traditional protagonist's ego to achieve environmental dominance. Catarina transforms the "doom flag" mechanic from a death sentence into a social invitation. Her high Bonds score is not a byproduct of her magic—which remains mediocre—but a result of an oblivious sincerity that renders her rivals obsolete. She survives by making herself indispensable to the people who were scripted to hate her. Rimuru approaches sovereignty with a similar lack of personal pride, treating the Orc Disaster and the construction of Tempest as logistical hurdles rather than moral trials. While Catarina builds a circle of affection, Rimuru builds a corporate federation. Both characters replace the "chosen one" narrative with a systemic function: Catarina acts as a centripetal force of emotional gravity, and Rimuru acts as a centrifugal force of administrative expansion. The gap between YPS-1 and YPS-7 disappears when the analysis shifts from combat output to narrative utility. Both characters achieve the same result—the total submission of their world to a specific brand of benevolence—proving that social engineering is as effective as reality warping.