The true divide in isekai power fantasies is not the scale of destruction, but whether that power demands a transformation of the self. Comparing YPS-6 combat capability against a YPS-S authority figure is a category error; one destroys the world, the other manages it. This cross-type gap reveals a deeper divergence in how the genre handles agency. Sung Jinwoo utilizes the system to forge an identity, using a relentless grind to move from a victim to a monarch. His Ego score of 100 reflects a narrative where power is an achievement bought with isolation and a willingness to discard kindness. He is the architect of his own ascension, where every level gained is a step away from his original humanity. Touya Mochizuki represents the opposite extreme: power as a default state. With an Ego of 0, he does not use his abilities to change himself or the world, but to maintain a curated paradise. His Bonds score of 100 is a byproduct of this neutrality; he is a benevolent administrator who accumulates wives and allies as assets in a frictionless sandbox. While Jinwoo’s story is a study in the cost of strength, Touya’s is a study in the boredom of omnipotence. One character evolves to survive a cruel world, while the other exists as a static anchor in a world that refuses to challenge him. The data shows that when the struggle for survival is removed, the protagonist ceases to be a hero and becomes a utility.